Un Coup de Dés Jamais N'Abolira Le Hasard

Un Coup de Dés Jamais N'Abolira Le Hasard (A Throw of the Dice will Never Abolish Chance) is a close copy of the 1914 edition of the french symbolist poet Stéphane Mallarmé's poem of the same name, but with all the words cut out by laser, in a way that corresponds directly to the typographic layout used by Mallarmé to articulate the text*. A Preface features the entire poem written as a block of text with each line separated by a slash (/). This block-transcription of the Mallarme-Text was carried out in 1969 by Broodthaers. 12 double spreads follow, with immaculately cut out windows standing in for the text. When turning the pages, numerous shadows are being generated by the cutouts. The work is soft bound and feels quite insubstantial. The cover is a facsimile of the original cover as published in 1914 by Librairie Gallimard, with the word 'SCULPTURE' replacing 'POEME' (or 'IMAGE') in the centre of the design. 500 copies are produced on paper, 90 on translucent paper and 10 on acrylic glass plates. The edition on transparent paper has 64 pages. Historical note: * Mallarmé had written the poem in 1897, also saw it published in a magazine called Cosmopolis, but left copious notes as to how it should be typeset, instructions that were finally carried out 16 years after his death, in 1914. In 1969 this work was appropriated by notorious Marcel Broodthaers, who replaced the words by black stripes. He replaced the classification 'POEME' on the cover by the word 'IMAGE'. -- Un coup de dés jamais n'abolira le hasard (SCULPTURE) ist ein Nachdruck des gleichnamigen Textes von Stéphane Mallarmé, jedoch sind alle Worte mit Laser ausgeschnitten. Ein Vorwort beinhaltet den gesamten Ursprungstext als Blocktext – diese Transkription hatte 1969 Broodthaers durchgefuehrt. 12 Doppelseiten folgen, mit Schnittfenstern anstelle der Textzeilen. Beim Umblaettern erzeugen die Fenster eine Vielzahl von Schatten. Das Buch ist broschiert und fuehlt sich wenig monolithisch an. Auf dem cover steht anstelle der Kategorisierung 'POEME' (1914) oder 'IMAGE' (1969) das Wort 'SCULPTURE'.